My grandmother is a half-Filipino woman who stands a staunch
4'10". Every inch spunk. I come from a long line of strong women, and
she is at the front. She practically raised six
children, five of which were rambunctious boys, single-handedly. My grandpa was in the Air Force, and gone a big
part of their married life. He didn't
see my mother, his first born, until she was 18 months old.
He served two tours in the Vietnam war, and earned a flying cross for
his bravery. My grandmother once wrote
him a letter accusing him of cowardice and running away from all of the
children. Like I said, spunk.
She isn't doing well.
I have seen her age ten years in the last two. Her salt & pepper hair is falling out. Her gait is brittle. Her long fingers, wrapped in paper-thin, cafe-Au-lait
skin, shake constantly. The other day I
watched as my sister took my grandmother's frail, worn hands in her vibrant,
smooth ones. Her hands are a younger
version of my grandmothers. It struck me
as odd, to see the same pair of hands at different times in its life holding
onto each other. She methodically clipped
fingernails, and smoothed ridges with a faded emery board. Then, dipping the brush, she painstakingly painted
them the color of blushing, brown silk. The
color of summer sighing into fall. A dying
rose. All the while, my sister murmured a
string of questions in a soothing voice.
How is Uncle Andy? Have you been to any good movies? Have
you seen baby Scarlet lately? Her voice
was answered by my grandmother's signature smoky-sweet one.
I sat by, watching
the dust mites spin in the late afternoon sun that unapologetically entered the
little kitchen. My gaze finally settled
on the ceiling fan that has at least twenty unbroken wishbones dangling from it. It took me years to figure out why they were
there. I'd just chalked it up to being a
charming family tradition. Then one day,
I stumbled across a magazine article about the tradition of WWI doughboys hanging
wishbones from a gas lamp in an East Village restaurant. This ritual is rumored to go back to the
Civil War. It is a good luck charm, of sorts.
They are kept up there so that all of
the soldiers will come back safely. Our relics have yellowed and curled. Were I sacrilegious enough, I know that I
could break one with a hard snap. I'm certain
that when time runs out, I will have a
sound fill my mind. Not shattering
glass, or tearing cloth, but a precise sound of a bone
cracking, causing me to bleed internally.
Heartbreak is a sound.
Ooh, I absolutely love that last line, "heartbreak is a sound." Wrenching! Perfect! And I like the comparison between the same hands, young and old. You've painted a beautiful picture here. All I can really say by way of construction is that your first paragraph doesn't have the same voice as the last two paragraphs (although I also admit that I don't know how you would--or if you should--change it). But oh, how I love this picture you've captured!
ReplyDeleteErin, I loved this. This is perfect. The scene was built up around me so beautifully, and my heart broke by the end. Beautiful.
ReplyDelete